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Дангарембга, Цици цитаты

Цици Дангарембга – писательница и кинорежиссёр Зимбабве.

✵ 1959
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Дангарембга, Цици: Цитаты на английском языке

“You are one of the rare people who can separate your observation from your perception… you see what is, where most people see what they expect.”

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Tsitsi Dangarembga Nervous Conditions

Источник: Nervous Conditions

“The racism in England was not so institutionalized. Well, it was institutionalized, but then it was so efficiently realized that it didn’t need institutions, if you understand what I mean. In England, it was much easier not to be affected by it to that extent because my parents were students and people were somewhat respectful.”

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Tsitsi Dangarembga

On her experiences with racism in England in “An Interview with Tsitsi Dangarembga: An excerpt” https://brickmag.com/an-interview-with-tsitsi-dangarembga/ in Brick Magazine (December 2012)

“It’s bad enough… when a country gets colonized, but when the people do as well! That’s the end, really, that’s the end.”

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Tsitsi Dangarembga Nervous Conditions

Источник: Nervous Conditions

“I wrote the book just after Zimbabwe’s independence to encourage young Zimbabweans to develop themselves in spite of the challenges they would face doing so. There was also a lot of talk after independence of going back to one’s cultural roots. I wanted to interrogate that idea by examining aspects of the culture we were being told to go back to that affected women in my environment negatively. I was a newly minted feminist at the time and very eager. I also wanted to look at the ongoing effects of colonialism in the new dispensation. At the same time, I hoped to write a book that would be eminently readable, with recognizable characters.”

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Tsitsi Dangarembga

On what she had hoped to convey with her first novel Nervous Conditions in “A Crisis of Personhood: Tsitsi Dangarembga by Bhakti Shringarpure” https://bombmagazine.org/articles/tsitsi-dangaremgba/ in BOMB Magazine (2019 Sep 27)

“The skills I had learned for prose didn’t work in film. Those telling details, they’re completely different. Or the fact of these inner monologues in which you can write a whole book. Whereas prose is teasing out, film is stripping down, concentrating and compacting. I found I could not learn the one while doing the other. So it was a big struggle, actually. It took me years.”

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Tsitsi Dangarembga

On adjusting to film writing in “An Interview with Tsitsi Dangarembga: An excerpt” https://brickmag.com/an-interview-with-tsitsi-dangarembga/ in Brick Magazine (December 2012)

“I realize that creative women often do not fit easily into certain paradigms. I think to myself, Then where do they go? Where do they go? Because I feel that these women have so much to contribute, that they just see things in a different way. Every society has people like that and marginalizes them in some way. So it’s a very difficult situation.”

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Tsitsi Dangarembga

On the difficulties of being a creative woman in “An Interview with Tsitsi Dangarembga: An excerpt” https://brickmag.com/an-interview-with-tsitsi-dangarembga/ in Brick Magazine (December 2012)