Каспар Давид Фридрих цитаты
Каспар Давид Фридрих: Цитаты на английском языке
“The pure, frank sentiments we hold in our hearts are the only truthful sources of art.”
Quote in 'Culture: Caspar D. Friedrich and the Wasteland', by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
Variant translation: The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge. (as quoted in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
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Контексте: The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.
Quote of Friedrich, 1821; as cited in Authenticity and Fiction in the Russian Literary Journey, 1790-1840 (2000) by Andreas Schönle, p. 108, from memoirs of Vasily Zhukovsky
Variant translation: I have to stay alone in order to fully contemplate and feel nature.
This answer of Friedrich is recorded by Vasily Zhukovsky who asked the painter in 1821 to travel together to Switzerland
1794 - 1840
Quote from: Caspar David Friedrich, by Irma Emmerich; Herman Böhlaus, Weimar, 1964, p. 11; as cited & transl. by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 4
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“The divine is everywhere, even in a grain of sand; there I represented it in the reeds.”
Quote of Friedrich on his painting Swans in the Rushes (c. 1820), as cited in "Absent Presences in Liminal Places: Murnau's Nosferatu and the Otherworld of Stoker's Dracula" by Saviour Catania in Literature Film Quarterly (2004) http://findarticles.com/p/articles/mi_qa3768/is_200401/ai_n9377557/print
1794 - 1840
“Close your bodily eye, so that you may see your picture first with the spiritual eye.”
Variant translation: Close your bodily eye, that you may see your picture first with the eye of the spirit. Then bring to light what you have seen in the darkness, that its effect may work back, from without to within.
Quoted in The Romantic Imagination: Literature and Art in England and Germany (1996) by Fredrick Berwick and Jürgn Klein, and in "Culture: Caspar D. Friedrich and the Wasteland" by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
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Контексте: Close your bodily eye, so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards. A picture must not be invented but felt. Observe the form exactly, both the smallest and the large and do not separate the small from the large, but rather the trivial from the important.
Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka
Variant translations:
The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him.
As quoted in German Romantic Painting (1994) by William Vaughan, p. 68
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Контексте: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
Quote in 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials
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Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
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Quote from Friedrich's Diary-note, 1803; as cited by C. D. Eberlein in C. D. Friedrich - Bekenntnisse, pp. 72-73; translated and quoted by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 45
1794 - 1840
Quote of Friedrich, shortly after his return in 1798; as quoted in C. D. Friedrich by H.W. Grohn; Kindlers Malerei Lexicon, Zurich, 1965, II p. 46; as cited & transl. by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 17
Friedrich's quote is referring to the typical landscape and atmosphere of Denmark, he intensively experienced for four years. In 1798 Friedrich left Copenhagen and returned to Germany, to Dresden
1794 - 1840
Quote of Friedrich's letter 8 Feb. 1809, to 'Akademiedirektor Schulz'; as cited by Helmut Bôrsch-Supan and Karl Wilhelm Jàhnig in Caspar David Friedrich: Gemâlde, Druckgraphik und bildmassige Zeichnungen (Munich: Prestel, 1973), 182-83, esp. 183; translation, David Britt - note 117 http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892366745.pdf
1794 - 1840
Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 33-34
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Friedrich's remark to Carl Gustac Carus, as cited by Sigrid Hinz, Caspar David Friedrich in Briefen und Bekenntnissen; Henschelverlag Kunst und Gesellchaft, Berlin ,1968 p. 239; translated and quoted in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, p. 19
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Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 33
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Variant translation: Close your bodily eye, that you may see your picture first with the eye of the spirit. Then bring to light what you have seen in the darkness, that its effect may work back, from without to within.
Quoted in The Romantic Imagination: Literature and Art in England and Germany (1996) by Fredrick Berwick and Jürgn Klein, and in "Culture: Caspar D. Friedrich and the Wasteland" by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
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Контексте: Close your bodily eye, so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards. A picture must not be invented but felt. Observe the form exactly, both the smallest and the large and do not separate the small from the large, but rather the trivial from the important.
Quote in 'Culture: Caspar D. Friedrich and the Wasteland', by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
Variant translation: The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge. (as quoted in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
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Контексте: The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.
Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
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Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840
some poetry lines of Friedrich, c. 1802-05; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted & translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 48
1794 - 1840
Quote from: Caspar David Friedrich and the Subject of Landscape; Joseph Koerner, p. 66; as cited in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials
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Quote of Friedrich, mid-1820's; as cited by Sigrid Hinz, Caspar David Friedrich in Briefen und Bekenntnisse, p. 133; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, p. 17
1794 - 1840
some poetry lines of Friedrich, c. 1807-09; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted and translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 52
1794 - 1840
as quoted in Nature and Culture: American Landscape and Painting, 1825-1875, Barbara Novak; Oxford University Press, 2007, note 74
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Quote of Friedrich, recorded by Vasily Zhukovsky, c. 1821; cited by Sigrid Hinz, Caspar David Friedrich in Briefen und Bekenntnissen; Henschelverlag Kunst und Gesellchaft, Berlin ,1968 p. 239; as cited in 'The Phantasmatic in romantic subjective experience and aesthetics' - Master's Thesis http://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=1667795&fileOId=2224083 by Adrian Gerardo de Jong; Helsingborg Sweden, Sept. 2010, pp. 46-47
1794 - 1840
Quote from: Caspar David Friedrich, Wieland Schmied; Harry N. Abrams, Inc. New York, 1995, p. 45
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cited by Timothy Mitchell, (September 1984), in 'Caspar David Friedrich's Der Watzmann: German Romantic Landscape Painting and Historical Geology', 'The Art Bulletin', 66 (3), p. 452–464, doi:10.2307/3050447, JSTOR 3050447
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cited in: Vaughan, William-Börsch-Supan, Helmut- Neidhardt, Hans Joachim, Caspar David Friedrich. 1774-1840. Romantic Landscape Painting in Dresden, London, The Tate gallery, 1972, p. 104
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in original language - German: Warum, die Frag' ist oft zu mir ergangen / Wählst du zum Gegenstand der Malerei / So oft den Tod, Vergänglichkeit und Grab? / Um ewig einst zu leben / Muss man sich oft dem Tod ergeben.
Quote c. 1812; from Caspar David Friedrich, William Vaughn; London: Tate Gallery, 1972, p. 16–17
1794 - 1840
Quote of Friedrich, in C. D. Eberlein, C. D. Friedrich Bekenntnisse, pp. 72-73; as cited by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 36
it is possible that Friedrich refers critically in the second part of his remark to the Nazarenes
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Quote in: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials
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