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Мейнелл, Элис цитаты

Элис Мейнелл — британская писательница, поэтесса, редактор, деятельница суфражизма.

Дочь Дж. Томпсона. Юность провела в основном в Италии, начальное образование получила у отца. Её первый сборник стихов, «Прелюдии», иллюстрированный её старшей сестрой Элизабет, впоследствии леди Батлер, изданный в 1875 году, привлёк мало внимания критики, однако Джон Раскин отметил достоинства сонета «Отказ». В 1893 году было выпущено его 2-е издание.

В 1877 году она вышла замуж за известного журналиста-католика Уилфрида Мейнелла, бывшего владельцем и редактором издания Weekly Register, позже владевшего и другими изданиями, после чего под его редакцией регулярно писала рассказы для National Observer, а позже для Pall Mall Gazette и Saturday Review, при этом сама принимала активное участие в редакторской работе. Жила вместе с мужем в Кенсингтоне, имела в браке с ним восемь детей. С 1868 по 1880 год вся её семья перешла в католицизм.

В 1893 году вышел её сборник «Поэмы», в который вошла значительная часть стихотворений из выпущенных ранее «Прелюдий» и благодаря которому она уже получила некоторую известность у публики. В 1901 году вышел очередной её сборник, «Поздние поэмы». В 1897 году ей была составлена антология английской поэзии «Цветок разума». Она также была редактором сборников «Избранные поэмы» Хейка , «Позия пафоса и восхищения» её близкого друга Ковентри Пэтмора и избранных работ Пэтмора в «Библиотеке муз». Её перу принадлежат также высоко оценивавшиеся современниками публицистические произведения «Ритм жизни» , «Цвет жизни и другие эссе» , «Дети» и «Дух места» , а также «Лондонские впечатления» и «Творчество Джона Сарджента» .

В начале XX века Мейнелл была известна как активистка суфражизма, в частности, в 1908—1919 годах была вице-президентом Лиги женщин-писательниц-суфражисток. Начиная с конца XIX века, как и её супруг, нередко критиковала британский колониализм. Wikipedia  

✵ 22. Сентябрь 1847 – 27. Ноябрь 1922
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Мейнелл, Элис: Цитаты на английском языке

“Compassion in the highest degree is the divinest form of religion.”

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Alice Meynell

"Introductory Note" to The Poetry of Pathos & Delight: From the Works of Coventry Patmore; Passages Selected by Alice Meynell (London: William Heinemann, 1906), p. xi.

“I came from nothing; but from where
Come these undying thoughts I bear?”

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Alice Meynell

Opening lines of Song of Derivations" https://www.poemhunter.com/poem/a-song-of-derivations/"A. In Poems (London: John Lane, 1896) this poem is titled "The Modern Poet: A Song of Derivations". In later editions of Poems, it is titled "A Poet's Fancies VIII: A Song of Derivations".

“It is easy to replace man, and it will take no great time, where Nature has lapsed, to replace Nature.”

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Alice Meynell

"The Colour of Life" in The Colour of Life and Other Essays on Things Seen and Heard (London: John Lane, 1896), p. 4.

“She walks—the lady of my delight—
A shepherdess of sheep.
Her flocks are thoughts. She keeps them white;
She keeps them from the steep”

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Alice Meynell

Opening stanza of "The Shepherdess" https://www.poemhunter.com/poem/the-shepherdess/ in Later Poems (London: John Lane, 1902).

“The pretty game of calling on the children of the audience of "Peter Pan" to declare their faith in fairies seemed to me disastrous—a game of men and women at the expense of children, a cumbersome frolic at best and an artificial, a tyrannous use of the adult sense of sentimental humour against the helpless. I could with better conscience use my superior physical strength upon them than exploit them for love of my own condescension. (And yet Sir J. Barrie has written the most adorable "pretending" story ever written about a child.)No, children love a fairy story not because they think it true, but because they think it untrue, and because it makes no fraudulent appeal to their excellent good sense. That sense they are delighted to put aside while they "pretend." That is their own word.[…] "Let's pretend," not "Let's believe."”

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Alice Meynell

Their mother does not put "Let's pretend" into the child's mouth; she finds it there. Without it there is no play. But the pretending is always drama and never deception or self-deception.</p>
"V. Fairies", pp. 32–33
Childhood (1913)

“The eyelids confess, and reject, and refuse to reject. They have expressed all things ever since man was man.And they express so much by seeming to hide or to reveal that which indeed expresses nothing. For there is no message from the eye. It has direction, it moves, in the service of the sense of sight; it receives the messages of the world. But expression is outward, and the eye has it not. There are no windows of the soul, there are only curtains.”

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Alice Meynell

"Eyes", pp. 98–99
The Colour of Life and Other Essays (1896)

“The cloud controls the light.[...]It is the cloud that, holding the sun's rays in a sheaf as a giant holds a handful of spears, strikes the horizon, touches the extreme edge with a delicate revelation of light, or suddenly puts it out and makes the foreground shine.”

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Alice Meynell

"Cloud", pp. 16–17
The Colour of Life and Other Essays (1896)

“[W]hat is now and then attempted is perhaps "for art's sake."”

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Alice Meynell

He that saveth his art shall lose it.
Meynell alludes to the saying of Jesus: "He that saveth his life shall lose it" (Mark 8:35).
Источник: Mary, the Mother of Jesus: An Essay (1912), Ch. X. "In Churches", p. 134

“The mothers of all ages are those who have suffered because others suffered; for each of them, self is less sensitive than the sense of her child. Self is not locked up in the maternal heart, there to be cherished, as it is by the egoist, or to be crushed and silenced, as it is by the Saint. In the mother, self is not lost, but loses all its evil by the passionate personal love that distributes it among sons and daughters. Perfect self-less love would perhaps be distributed through the multitude, but a mother is not perfect: nature has so much use for her—separate, family use—that she cannot let her go free from irrational, indispensable partialities and limitings, even injustices, all serving the turn of the race.”

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Alice Meynell

Источник: Mary, the Mother of Jesus: An Essay (1912), Ch. IV. "The Mother", p. 40

“A sense of art mixes with our modern piety. We are apt to admire the evangelical reticence for its dignity,[…] we are apt to respect the Scripture narratives with their few intense details, their close events and their great omissions alike, for their simplicity, and—it is to be feared that our literature leads us so far—for their "effect."”

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Alice Meynell

Источник: Mary, the Mother of Jesus: An Essay (1912), Ch. II. "Mary in the Scriptures", pp. 18, 21

“No mirror keeps its glances.”

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Alice Meynell

"Your Own Fair Youth", p. 15
Preludes (1875)

“Solitude is separate experience.”

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Alice Meynell

"Solitude", p. 17
The Spirit of Place and Other Essays (1899)

“Slight as thou art, thou art enough to hide,
Like all created things, secrets from me,
And stand a barrier to eternity.”

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Alice Meynell

Источник: Preludes (1875), "To a Daisy", p. 70