Роберт Фрост: Цитаты на английском языке (страница 4)

Directive (1947)
Контексте: p>This was no playhouse but a house in earnest.
Your destination and your destiny's
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)</p

"Into My Own", st. 4 (1913)
General sources
Контексте: p>I do not see why I should e'er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.They would not find me changed from him they knew —
Only more sure of all I thought was true.</p

Directive (1947)
Контексте: I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can't find it,
So can't get saved, as Saint Mark says they mustn't.
(I stole the goblet from the children's playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.

Dedication (1960)
Контексте: There was the book of profile tales declaring
For the emboldened politicians daring
To break with followers when in the wrong,
A healthy independence of the throng,
A democratic form of right divine
To rule first answerable to high design.
There is a call to life a little sterner,
And braver for the earner, learner, yearner.
Less criticism of the field and court
And more preoccupation with the sport.

Directive (1947)
Контексте: p>The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost. And if you're lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.</p

As quoted in Robert Frost : The Trial by Existence (1960) by Elizabeth Shepley Sergeant, p. 174
General sources
Контексте: It is only a moment here and a moment there that the greatest writer has. Some cognizance of the fact must be taken in your teaching.

Letter http://books.google.com/books?id=R8ksAAAAIAAJ&q=%22I+own+any+form+of+humor+shows+fear+and+inferiority+Irony+is+simply+a+kind+of+guardedness+So+is+a+twinkle+It+keeps+the+reader+from+criticism%22+%22Humor+is+the+most+engaging+cowardice%22&pg=PA166#v=onepage to Louis Untermeyer (10 March 1924)
General sources
Контексте: I own any form of humor shows fear and inferiority. Irony is simply a kind of guardedness. So is a twinkle. It keeps the reader from criticism. Whittier, when he shows any style at all is probably a greater person than Longfellow as he is lifted priestlike above consideration of the scornful. Belief is better than anything else, and it is best when rapt, above paying its respects to anybody's doubt whatsoever. At bottom the world isn't a joke. We only joke about it to avoid an issue with someone to let someone know that we know he's there with his questions: to disarm him by seeming to have heard and done justice to this side of the standing argument. Humor is the most engaging cowardice.

General sources
Источник: "The Poetry of Amy Lowell" in The Christian Science Monitor (16 May 1925)

The Lesson for Today (1942)
Контексте: I may have wept that any should have died
Or missed their chance, or not have been their best,
Or been their riches, fame, or love denied;
On me as much as any is the jest.
I take my incompleteness with the rest.
God bless himself can no one else be blessed.

I hold your doctrine of Memento Mori.
And were an epitaph to be my story
I’d have a short one ready for my own.
I would have written of me on my stone:
I had a lover’s quarrel with the world.

" Take Something Like a Star http://somethingbeautiful.typepad.com/blog/2004/10/robert_frost_to.html" (1949)
General sources
Контексте: O Star (the fairest one in sight)
We grant your loftiness the right
To some obscurity of cloud —
It will not do to say of night,
Since dark is what brings out your light.
Some mystery becomes the proud.
But to be wholly taciturn
In your reserve is not allowed.
Say something to us that we can learn
By heart and when alone repeat.
Say something! And it says "I burn."

Dedication (1960)
Контексте: Today is for my cause a day of days.
And his be poetry's old-fashioned praise
Who was the first to think of such a thing.
This verse that in acknowledgement I bring
Goes back to the beginning of the end
Of what had been for centuries the trend;
A turning point in modern history.

The Figure a Poem Makes (1939)
Контексте: Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspect they differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields.

For Once, Then, Something (1923)
Контексте: Others taunt me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in [[w:Narcissus (mythology)|a shining surface picture
My myself]] in the summer heaven, godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths – and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.

The Lesson for Today (1942)

The Lesson for Today (1942)
Контексте: They've tried to grasp with too much social fact
Too large a situation. You and I
Would be afraid if we should comprehend
And get outside of too much bad statistics,
Our muscles never could again contract:
We never could recover human shape,
But must live lives out mentally agape
Or die of philosophical distention.
That's how we feel — and we're no special mystics.

"Into My Own", st. 4 (1913)
General sources
Контексте: p>I do not see why I should e'er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.They would not find me changed from him they knew —
Only more sure of all I thought was true.</p

Home Burial (1915)
Контексте: He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: "What is it you see
From up there always?—for I want to know."

" Take Something Like a Star http://somethingbeautiful.typepad.com/blog/2004/10/robert_frost_to.html" (1949)
General sources
Контексте: O Star (the fairest one in sight)
We grant your loftiness the right
To some obscurity of cloud —
It will not do to say of night,
Since dark is what brings out your light.
Some mystery becomes the proud.
But to be wholly taciturn
In your reserve is not allowed.
Say something to us that we can learn
By heart and when alone repeat.
Say something! And it says "I burn."

Originally delivered at a poetry reading at Princeton University (26 October 1937), published in Collected Poems, Prose & Plays (1995)
General sources
Контексте: When I see young men doing so wonderfully well in athletics, I don’t feel angry at them. I feel jealous of them. I wish that some of my boys in writing would do the same thing. … You must have form — performance. The thing itself is indescribable, but it is felt like athletic form. To have form, feel form in sports — and by analogy feel form in verse. One works and waits for form in both. As I said, the person who spends his time criticizing the play around him will never write poetry. He will write criticism — for the New Republic.