Роберт Фрост: Цитаты на английском языке (страница 5)

Роберт Фрост было американский поэт. Цитаты на английском языке.
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“A man must partly give up being a man
With womenfolk.”

Home Burial (1915)
Контексте: A man must partly give up being a man
With womenfolk. We could have some arrangement
By which I'd bind myself to keep hands off
Anything special you're a-mind to name.
Though I don't like such things 'twixt those that love.
Two that don't love can't live together without them.
But two that do can't live together with them."
She moved the latch a little. "Don't — don't go.
Don't carry it to someone else this time.
Tell me about it if it's something human.
Let me into your grief. I'm not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.

“Scholars and artists thrown together are often annoyed at the puzzle of where they differ.”

The Figure a Poem Makes (1939)
Контексте: Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspect they differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields.

“I'm not going to explain anything personal any more.”

Letter to Sydney Cox (3 January 1937), quoted in Robert Frost : The Trial By Existence (1960) by Elizabeth Shepley Sergeant, p. 351, and Robert Frost and Sidney Cox: Forty Years of Friendship (1981) by William Richard Evans, p. 223
General sources
Контексте: Talking is a hydrant in the yard and writing is a faucet upstairs in the house. Opening the first takes all the pressure off the second. My mouth is sealed for the duration of my stay here. I'm not even going to write letters around to explain to collectors my not having had any Christmas card this year. I'm not going to explain anything personal any more.

“Some poor fool has been saying in his heart
Glory is out of date in life and art.”

Dedication (1960)
Контексте: Everyone knows the glory of the twain
Who gave America the aeroplane
To ride the whirlwind and the hurricane.
Some poor fool has been saying in his heart
Glory is out of date in life and art.
Our venture in revolution and outlawry
Has justified itself in freedom's story
Right down to now in glory upon glory.

“Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.”

Directive (1947)
Контексте: Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you'll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry –
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there's a story in a book about it…

“There is a singer everyone has heard”

The Oven Bird (1916)
Контексте: There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.

“For me the initial delight is in the surprise of remembering something I didn't know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight.”

The Figure a Poem Makes (1939)
Контексте: No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. For me the initial delight is in the surprise of remembering something I didn't know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight. We enjoy the straight crookedness of a good walking stick. Modern instruments of precision are being used to make things crooked as if by eye and hand in the old days.

“One luminary clock against the sky
Proclaimed the time was neither wrong nor right.”

" Acquainted with the Night http://www.ketzle.com/frost/acquainted.htm" (1928)
General sources
Контексте: One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

“A jury consists of twelve persons chosen to decide who has the better lawyer.”

Quoted in Fire and Ice: The Art and Thought of Robert Frost (1961) by Lawrence Thompson
1960s

“The world is full of willing people; some willing to work, the rest willing to let them.”

As quoted in The New Speaker's Treasury of Wit and Wisdom (1958) edited by Herbert Victor Prochnow
As quoted at page 212 in The Pocket Book of Quips and Quotes http://books.google.de/books?id=jcIWpJdFBkEC&pg=PA212&dq=The+world+is+full+of+willing+people,+some+willing+to+work,+the+rest+willing+to+let+them.&hl=de&sa=X&ei=R9LOUe3UL8mctAbO0oDQCg&ved=0CGwQ6AEwCDgK#v=onepage&q=The%20world%20is%20full%20of%20willing%20people%2C%20some%20willing%20to%20work%2C%20the%20rest%20willing%20to%20let%20them.&f=false (1996) by Rajendra Pillai, Copyright 1996 The Saint Paul Society Bombay, 2nd Print 1999
1950s

“The way a crow
Shook down on me
The dust of snow
From a hemlock treeHas given my heart
A change of mood
And saved some part
Of a day I had rued.”

" Dust of Snow http://www.poetryfoundation.org/archive/poem.html?id=173526" (1923)
General sources

“Unless you are educated in metaphor, you are not safe to be let loose in the world.”

Вариант: Unless you are at home in the metaphor, you are not safe anywhere.

“Oh, come forth into the storm and rout
And be my love in the rain.”

Вариант: Come over the hills and far with me
And be my love in the rain.
Источник: Complete Poems Of Robert Frost, 1949