Мадлен Ленгль цитаты

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Мадлен Ленгль

Дата рождения: 29. Ноябрь 1918
Дата смерти: 6. Сентябрь 2007
Другие имена:مادلین لانقل

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Мадлен Л’Энгл , американская писательница, известная по своим рассказам для детей и взрослых; в особенности за свои романы: «Трещина во времени», его сиквел «Ветер на пороге», «Кренящаяся планета», «Водяная бездна», «Подходящее время». Работы писательницы отражают её религиозные взгляды и интерес к современной науке.

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Цитаты Мадлен Ленгль

„The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.“

—  Madeleine L'Engle
Context: I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, or unacceptable and pornographic. There are many books circulating today, for the teen-ager as well as the grown up, which would not have been printed in the fifties. It is still amazing to me that A Wrinkle In Time was considered too difficult for children. My children were seven, ten, and twelve while I was writing it, and they understood it. The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.

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„A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.“

—  Madeleine L'Engle, A Circle of Quiet
Context: We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way. We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming. Section 1.10 <!-- p. 32 -->

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„Believing takes practice.“

—  Madeleine L'Engle, A Wrinkle in Time: With Related Readings

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„I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible.“

—  Madeleine L'Engle
Context: I endeavor To hold the I as one only for the cloud Of which I am a fragment, yet to which I'm vowed To be responsible. Its light against my face Reveals the witness of the stars, each in its place Singing, each compassed by the rest, The many joined to one, the mightiest to the least. It is so great a thing to be an infinitesimal part of this immeasurable orchestra the music bursts the heart, And from this tiny plosion all the fragments join: Joy orders the disunity until the song is one. "Instruments" in The Weather of the Heart (1978)

„We are all strangers in a strange land, longing for home, but not quite knowing what or where home is.“

—  Madeleine L'Engle
Context: We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes… The Rock That is Higher: Story as Truth (1993)

„Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.“

—  Madeleine L'Engle
Context: I heard a famous author say once that the hardest part of writing a book was making yourself sit down at the typewriter. I know what he meant. Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others. A writer of fantasy, fairly tale, or myth must inevitably discover that he is not writing out of his own knowledge or experience, but out of something both deeper and wider. I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can’t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant. Very few children have any problem with the world of the imagination; it’s their own world, the world of their daily life, and it’s our loss that so many of us grow out of it.

„Detachment and involvement: the artist must have both. The link between them is compassion.“

—  Madeleine L'Engle
Context: Detachment and involvement: the artist must have both. The link between them is compassion. It has taken me over fifty years to get a glimmer of what this means. Section 1.16 <!-- p. 50 -->

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