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Ро́дман Э́двард Се́рлинг — американский сценарист, драматург, телевизионный продюсер и рассказчик, известный своими телевизионными драмами 1950-х годов и научно-фантастическим сериалом «Сумеречная зона». Серлинг также был активен в политике и помог сформировать стандарты телевизионной индустрии. Был известен как «сердитый молодой человек» в Голливуде, столкнувшийся с руководителями телевидения и спонсорами по широкому кругу вопросов, включая цензуру, расизм и войну. Wikipedia  

✵ 25. Декабрь 1924 – 28. Июнь 1975   •   Другие имена راد سرلینق, רוד סרלינג, 羅德·瑟林
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Род Серлинг: Цитаты на английском языке

“As I get older the urge to write gets less and less; I've pretty much spewed out everything I have to say, none of which has been particularly monumental; nothing that will stand the test of time. Good writing like wine has to age well, and my stuff has been momentarily adequate.”

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Rod Serling

Rod Serling: American Masters.
Other

“The tools of conquest do not necessarily come with bombs, and explosions, and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy; and a thoughtless, frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is, that these things cannot be confined to the Twilight Zone.”

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Rod Serling

From The Twilight Zone episode The Monsters Are Due On Maple Street (March 6, 1960).
The Twilight Zone

“I was dealing with a political story where much of the action took place on the floor of the U. S. Senate, and one of the edicts that came down from the Mt. Sinai of advertisers row was that at no time in a political drama must a speech or a character be equated with an existing political party or current political problems. So several million viewers were treated to an incredible display of senators shouting, gesticulating and talking in hieroglyphics, saying not a single thing germaine to the current political scene.”

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Rod Serling

Rod Serling on Arena, American Masters.
Other

“I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words… less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before.”

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Rod Serling

Excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children.
Other

“How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form.”

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Rod Serling

Rod Serling: Submitted for Your Approval (October 1997), American Masters (PBS: Thirteen/WNET).
Other

“I got the idea for the pilot while walking through an empty lot of a movie studio. There were all the evidences of a community but with no people. I felt at the time a kind of encroaching loneliness, and desolation; a feeling of how nightmarish it would be to wind up in a city with no inhabitants.”

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Rod Serling

Rod Serling: American Masters https://www.youtube.com/watch?v=9kZcHylU2t8.
Other

“I ask for your indulgence when I march out quotations. This is the double syndrome of men who write for a living and men who are over forty. The young smoke pot — we inhale from our Bartlett's.”

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Rod Serling

Speech at Moorpark College, Moorpark, California (December 3, 1968).
Other

“…a medium best suited to illumine and dramatize the issues of the times has its product pressed into a mold, painted lily-white, and has its dramatic teeth yanked out one by one.”

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Rod Serling

"About Writing for Television", his foreword to a collection of teleplays ("Patterns").
Other

“In his grave, we praise him for his decency - but when he walked amongst us, we responded with no decency of our own. When he suggested that all men should have a place in the sun - we put a special sanctity on the right of ownership and the privilege of prejudice by maintaining that to deny homes to Negroes was a democratic right. Now we acknowledge his compassion - but we exercised no compassion of our own. When he asked us to understand that men take to the streets out of anguish and hopelessness and a vision of that dream dying, we bought guns and speculated about roving agitators and subversive conspiracies and demanded law and order. We felt anger at the effects, but did little to acknowledge the causes. We extol all the virtues of the man - but we chose not to call them virtues before his death. And now, belatedly, we talk of this man's worth - but the judgement comes late in the day as part of a eulogy when it should have been made a matter of record while he existed as a living force. If we are to lend credence to our mourning, there are acknowledgements that must be made now, albeit belatedly. We must act on the altogether proper assumption that Martin Luther King asked for nothing but that which was his due… He asked only for equality, and it is that which we denied him.”

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Rod Serling

Letter to The Los Angeles Times in response to the assassination of Martin Luther King, Jr.; April 8, 1968.
Other

“I was bitter about everything and at loose ends when I got out of the service. I think I turned to writing to get it off my chest.”

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Rod Serling

"Document H1000089528" http://galenet.galegroup.com/servlet/BioRC Contemporary Authors Online, Gale. 2010.
Other

“It is said that science fiction and fantasy are two different things. Science fiction is the improbable made possible, and fantasy is the impossible made probable.”

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Rod Serling

The Twilight Zone, "The Fugitive" (1962).
The Twilight Zone