„Секс все больше и больше становится мастурбацией с реальным человеком.“
Цитаты из лекций и интервью
Слáвой Жи́жек — словенский культуролог и социальный философ фрейдомарксистского толка. Живёт и работает в городе Любляна. Переводчик и интерпретатор Жака Лакана, учение которого наряду с марксизмом служит основным инструментом для анализа культуры. Основатель Люблянской школы психоанализа — единственной восточноевропейской школы, добившейся международного признания после распада Восточного блока. Wikipedia
„Секс все больше и больше становится мастурбацией с реальным человеком.“
Цитаты из лекций и интервью
Цитаты из лекций и интервью
„In our post-modern, how ever we call them, societies we are obliged to enjoy.“
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
„I already am eating from the trashcan all the time.“
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
Цитаты из фильмов, «Киногид извращенца» (англ. The Pervert's Guide to Cinema, 2006)
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
Цитаты из лекций и интервью
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
Интервью журналу Spiegel. «Expert Online» 2015 год.
„Ideology is not simply imposed on ourselves.“
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
„We live, so we are told, in a post-ideological society.“
Цитаты из фильмов, «Киногид извращенца: Идеология». (англ. The Pervert's Guide to Ideology, 2012)
“We feel free because we lack the very language to articulate our unfreedom.”
"Introduction: The Missing Ink", in Welcome to the Desert of the Real!: Five Essays on September 11 and Related Dates (2002), p. 2
Lecture "Year of Distraction" http://www.youtube.com/watch?v=ChWXYNxUFdc, at 1:07.
Interview in HARDtalk, BBC World Service (12 January 2010)
Источник: Less Than Nothing (2012), Chapter One (The Drink Before), Vacillating The Semblances
Контексте: The implicit lesson of Plato is not that everything is appearance, that it is not possible to draw a clear line of separation between appearance and reality (that would have meant the victory of Sophism), but that essence is "appearance as appearance,"that essence appears in contrast to appearance within appearance; that the distinction between appearance and essence has to be inscribed into appearance itself. Insofar as the gap between essence and appearance is inherent to appearance, in other words, infsofar as essence is nothing but appearance reflected into itself, appearance is appearance against the background of nothing - everything appears ultimately out of nothing.
Источник: The Sublime Object of Ideology (1989), p.33, Idea's Appearing
that is, the lack in the Other.
148
The Sublime Object of Ideology (1989)
Conversations with Žižek by Slavoj Žižek and Glyn Daly (Cambridge: Polity Press, 2004), p. 45
Источник: Less Than Nothing (2012), Chapter Two, The Thing Itself: Hegel, pp. 200
First as Tragedy, Then as Farce (2009)
that's a MacGuffin, a pure nothing which is non the less efficient... what Lacan calls object petit a: a pure void which functions as the object cause of desire.
183
The Sublime Object of Ideology (1989)
“Prohibition of desire leads to desire for prohibition.”
Источник: Slavoj Žižek: Wokeness, Psychoanalysis, and Quantum Mechanics | Robinson's Podcast. https://www.youtube.com/watch?v=IxmZ4AVac7U
“What cannot be described should be inscribed into the artistic form as its uncanny distortion.”
Источник: Less Than Nothing (2012), Chapter One (The Drink Before), Vacillating The Semblances
Контексте: The horror of the Holocaust cannot be represented; but this excess of represented content over its aesthetic representation has to infect the aesthetic form itself. What cannot be described should be inscribed into the artistic form as its uncanny distortion.
Anecdote about the Soviet suppression of the Prague Spring in 1968, quoted in The New Yorker (5 May 2003), p. 39 http://books.google.com/books?id=AZQeAQAAMAAJ&q=%22cakes+and+watching+Russian+tanks+against+demonstrators.+It+was+perfect%22&dq=%22cakes+and+watching+Russian+tanks+against+demonstrators.+It+was+perfect%22&hl=en&ei=3HRhTpzzPIrv0gGwiazpDw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCoQ6AEwAA
Источник: The Sublime Object of Ideology (1989), pp.27, "Totalitarian Laughter"
Reverberations 2. Reverberations of the Crisis in a Multi-Centric World
Living in the End Times (2010)