Акира Куросава цитаты

Акира Куросава фото
4   3

Акира Куросава

Дата рождения: 23. Март 1910
Дата смерти: 6. Сентябрь 1998
Другие имена:Kurosava Akira, 黑泽明

Реклама

Акира Куросава — японский кинорежиссёр, сценарист и продюсер. Считается одним из самых влиятельных кинорежиссёров за всю историю кино. Куросава создал 30 фильмов в течение 57 лет своей творческой деятельности. Акира Куросава по праву считается классиком японского кино, чьё творчество оказало огромное влияние не только на национальный, но и на мировой кинематограф. Причём за рубежом он всегда пользовался большей популярностью, чем у себя на родине.

Подобные авторы

Такэси Китано фото
Такэси Китано17
японский кинорежиссёр, актёр, сценарист, писатель, поэт, ...
Рю Мураками фото
Рю Мураками6
японский писатель
Мартин Скорсезе фото
Мартин Скорсезе17
американский кинорежиссёр, актёр, продюсер и сценарист
Жан-Пьер Жене фото
Жан-Пьер Жене2
Французский кинорежиссёр и сценарист.
Жан Ренуар фото
Жан Ренуар13
французский кинорежиссёр
Альфред Хичкок фото
Альфред Хичкок28
британский и американский кинорежиссёр, продюсер, сценарист
Билл Мюррей фото
Билл Мюррей12
американский актёр

Цитаты Акира Куросава

Реклама

„Люди сегодня забыли, что на самом деле они — часть природы. Да, они разрушают природу, от которой зависит наша жизнь. Они всегда думают, что могут сделать что-то лучше, особенно учёные... Может они и умные, но большинство из них не понимают сердца природы. Они лишь изобретают вещи, которые в конце концов делают людей несчастными. И всё равно они очень гордятся своими изобретениями, как и большинство людей, а это хуже всего. Они их считают чуть ли не чудесами, они боготворят их; они не понимают, что теряют природу; они не видят, что и сами могут погибнуть. Самые важные вещи для людей — чистый воздух и чистая вода, и деревья и вода, которая их производит. Всё постепенно портится, загрязняется навсегда. Грязный воздух, грязная вода... Сердца людей тоже становятся грязными.“

—  Акира Куросава

„You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.“

—  Akira Kurosawa
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it. Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon

„Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem.“

—  Akira Kurosawa
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it. Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon

„There is nothing that says more about its creator than the work itself.“

—  Akira Kurosawa
Context: Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.

„Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.“

—  Akira Kurosawa
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it. Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon

Реклама

„I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be.“

—  Akira Kurosawa
Context: I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be. At any rate I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film. On the style of the film Rashomon, as quoted in The Films of Akira Kurosawa (1998) by Donald Richie, 3rd edition, p. 79

„Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.“

—  Akira Kurosawa
Context: Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.

Реклама
Далее
Сегодня годовщина
Пол Маккартни фото
Пол Маккартни18
британский рок-музыкант, певец, композитор, мультиинструм... 1942
Георгий Константинович Жуков фото
Георгий Константинович Жуков31
советский полководец 1896 - 1974
Другие 50 годовщин
Подобные авторы
Такэси Китано фото
Такэси Китано17
японский кинорежиссёр, актёр, сценарист, писатель, поэт, ...
Рю Мураками фото
Рю Мураками6
японский писатель
Мартин Скорсезе фото
Мартин Скорсезе17
американский кинорежиссёр, актёр, продюсер и сценарист