Акира Куросава цитаты

Акира Куросава фото
4  3

Акира Куросава

Дата рождения: 23. Март 1910
Дата смерти: 6. Сентябрь 1998
Другие имена:Kurosava Akira, 黑泽明

Реклама

Акира Куросава — японский кинорежиссёр, сценарист и продюсер. Считается одним из самых влиятельных кинорежиссёров за всю историю кино. Куросава создал 30 фильмов в течение 57 лет своей творческой деятельности. Акира Куросава по праву считается классиком японского кино, чьё творчество оказало огромное влияние не только на национальный, но и на мировой кинематограф. Причём за рубежом он всегда пользовался большей популярностью, чем у себя на родине.

Подобные авторы

Зак Снайдер фото
Зак Снайдер
Американский режиссер
Йоахим Лафосс фото
Йоахим Лафосс8
бельгийский кинорежиссёр, сценарист, продюсер
Алексей Борисович Мурадов3
российский кинорежиссёр и сценарист
Брайан Де Пальма фото
Брайан Де Пальма1
американский кинорежиссёр, сценарист и продюсер
Люк Бессон фото
Люк Бессон8
французский кинорежиссёр, писатель и кинопродюсер

Цитаты Акира Куросава

Реклама

„Люди сегодня забыли, что на самом деле они — часть природы. Да, они разрушают природу, от которой зависит наша жизнь. Они всегда думают, что могут сделать что-то лучше, особенно учёные... Может они и умные, но большинство из них не понимают сердца природы. Они лишь изобретают вещи, которые в конце концов делают людей несчастными. И всё равно они очень гордятся своими изобретениями, как и большинство людей, а это хуже всего. Они их считают чуть ли не чудесами, они боготворят их; они не понимают, что теряют природу; они не видят, что и сами могут погибнуть. Самые важные вещи для людей — чистый воздух и чистая вода, и деревья и вода, которая их производит. Всё постепенно портится, загрязняется навсегда. Грязный воздух, грязная вода... Сердца людей тоже становятся грязными.“

— Акира Куросава

„You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.“

— Akira Kurosawa
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it. Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon

„Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.“

— Akira Kurosawa
Context: Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.

„I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be.“

— Akira Kurosawa
Context: I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be. At any rate I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film. On the style of the film Rashomon, as quoted in The Films of Akira Kurosawa (1998) by Donald Richie, 3rd edition, p. 79

Реклама

„Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.“

— Akira Kurosawa
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it. Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon

„There is nothing that says more about its creator than the work itself.“

— Akira Kurosawa
Context: Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.

„Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem.“

— Akira Kurosawa
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it. Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon

Реклама
Далее
Годовщины сегодня
Алан Рикман фото
Алан Рикман23
британский актёр театра и кино, актёр озвучивания, режиссёр 1946 - 2016
Anaïs Nin фото
Anaïs Nin13
1903 - 1977
Бенедикт Спиноза фото
Бенедикт Спиноза52
нидерландский философ-рационалист и натуралист 1632 - 1677
Малкольм Икс фото
Малкольм Икс13
американский борец за права человека 1925 - 1965
Другие 69 годовщин
Подобные авторы
Зак Снайдер фото
Зак Снайдер
Американский режиссер
Йоахим Лафосс фото
Йоахим Лафосс8
бельгийский кинорежиссёр, сценарист, продюсер