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“My first impression of the man as of steel was consolidated and enhanced.”
On a later meeting of Richard Francis Burton, on 8 February 1879, in, Vol. 1, p. 225
Personal Reminiscences of Henry Irving (1907)
Контексте: My first impression of the man as of steel was consolidated and enhanced. He told us, amongst other things, of the work he had in hand. Three great books were partially done. The translation of the Arabian Nights, the metrical translation of Camoëns, and the Book of the Sword. These were all works of vast magnitude and requiring endless research. But he lived to complete them all.
“He is steel! He would go through you like a sword!”
Describing his first meeting of Sir Richard Francis Burton and his wife Isabel, on 13 August 1878, Vol. 1, p. 224
Personal Reminiscences of Henry Irving (1907)
Контексте: I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!
On a meeting of Richard Francis Burton on 18 September 1886, Vol. 1, p. 230
Personal Reminiscences of Henry Irving (1907)
Контексте: Burton had a most vivid way of putting things — especially of the East. He had both a fine imaginative power and a memory richly stored not only from study but from personal experience. As he talked, fancy seemed to run riot in its alluring power; and the whole world of thought seemed to flame with gorgeous colour. Burton knew the East. Its brilliant dawns and sunsets; its rich tropic vegetation, and its arid fiery deserts; its cool, dark mosques and temples; its crowded bazaars; its narrow streets; its windows guarded for out-looking and from in-looking eyes; the pride and swagger of its passionate men, and the mysteries of its veiled women; its romances; its beauty; its horrors.
“The fame of an actor is won in minutes and seconds, not in years.”
Preface
Personal Reminiscences of Henry Irving (1907)
Контексте: The fame of an actor is won in minutes and seconds, not in years. The latter are only helpful in the recurrence of opportunities; in the possibilities of repetition. It is not feasible, therefore, adequately to record the progress of his work. Indeed that work in its perfection cannot be recorded; words are, and can be, but faint suggestions of awakened emotion. The student of history can, after all, but accept in matters evanescent the judgment of contemporary experience. Of such, the weight of evidence can at best incline in one direction; and that tendency is not susceptible of further proof. So much, then, for the work of art that is not plastic and permanent. There remains therefore but the artist. Of him the other arts can make record in so far as external appearance goes. Nay, more, the genius of sculptor or painter can suggest — with an understanding as subtle as that of the sun-rays which on sensitive media can depict what cannot be seen by the eye — the existence of these inner forces and qualities whence accomplished works of any kind proceed. It is to such art that we look for the teaching of our eyes. Modern science can record something of the actualities of voice and tone. Writers of force and skill and judgment can convey abstract ideas of controlling forces and purposes; of thwarting passions; of embarrassing weaknesses; of all the bundle of inconsistencies which make up an item of concrete humanity. From all these may be derived some consistent idea of individuality. This individuality is at once the ideal and the objective of portraiture.
“Remember my friend, that knowledge is stronger than memory, and we should not trust the weaker”
Источник: Dracula
“Loneliness will sit over our roofs with brooding wings.”
Источник: Dracula
“Though sympathy alone can't alter facts, it can help to make them more bearable.”
Источник: Dracula
Источник: The New Annotated Dracula
“Euthanasia" is an excellent and comforting word! I am grateful to whoever invented it.”
Источник: Dracula
“But we are strong, each in our purpose, and we are all more strong together.”
Источник: Dracula
“I suppose a cry does us all good at times-clears the air as other rain does.”
Источник: Dracula
The Keeper in the Zoological Gardens
Источник: Dracula (1897)
Контексте: I have always thought that a wild animal never looks so well as when some obstacle of pronounced durability is between us. A personal experience has intensified rather than diminished that idea.
“Yes, there is some one I love, though he has not told me yet that he even loves me.”
Источник: Dracula
