Тони Моррисон цитаты
Тони Моррисон
Дата рождения: 18. Февраль 1931
То́ни Мо́ррисон — американская писательница, редактор и профессор. Лауреат Нобелевской премии по литературе 1993 года, как писательница, «которая в своих полных мечты и поэзии романах оживила важный аспект американской реальности». Обладательница Президентской медали Свободы.
Подобные авторы
Джеймс Дэшнер
американский писатель
Джонатан Троппер
американский писатель и сценаристЦитаты Тони Моррисон
„Wanna fly, you got to give up the shit that weighs you down.“
— Toni Morrison, Song of Solomon
Context: Too much tail. All that jewelry weighs it down. Like vanity. Can't nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down.
Guitar to Milkman on why a male peacock can't fly much better than a chicken. Song of Solomon (1977)
„Freeing yourself was one thing, claiming ownership of that freed self was another.“
— Toni Morrison, Beloved
Context: Bit by bit, at 124 and in the Clearing, along with others, she had claimed herself. Freeing yourself was one thing; claiming ownership of that freed self was another. <!-- ~ Ch. 9
„At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.“
— Toni Morrison
Tar Baby (1981). <!-- p. 245 -->
„There is and will be rousing language to keep citizens armed and arming; slaughtered and slaughtering in the malls, courthouses, post offices, playgrounds, bedrooms and boulevards; stirring, memorializing language to mask the pity and waste of needless death. There will be more diplomatic language to countenance rape, torture, assassination.“
— Toni Morrison
Context: There is and will be rousing language to keep citizens armed and arming; slaughtered and slaughtering in the malls, courthouses, post offices, playgrounds, bedrooms and boulevards; stirring, memorializing language to mask the pity and waste of needless death. There will be more diplomatic language to countenance rape, torture, assassination. There is and will be more seductive, mutant language designed to throttle women, to pack their throats like paté-producing geese with their own unsayable, transgressive words; there will be more of the language of surveillance disguised as research; of politics and history calculated to render the suffering of millions mute; language glamorized to thrill the dissatisfied and bereft into assaulting their neighbors; arrogant pseudo-empirical language crafted to lock creative people into cages of inferiority and hopelessness.
„A dead language is not only one no longer spoken or written, it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring.“
— Toni Morrison
Context: A dead language is not only one no longer spoken or written, it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring. Ruthless in its policing duties, it has no desire or purpose other than maintaining the free range of its own narcotic narcissism, its own exclusivity and dominance. However moribund, it is not without effect for it actively thwarts the intellect, stalls conscience, suppresses human potential. Unreceptive to interrogation, it cannot form or tolerate new ideas, shape other thoughts, tell another story, fill baffling silences.
„Language can never "pin down" slavery, genocide, war. Nor should it yearn for the arrogance to be able to do so. Its force, its felicity is in its reach toward the ineffable.“
— Toni Morrison
Context: Language can never "pin down" slavery, genocide, war. Nor should it yearn for the arrogance to be able to do so. Its force, its felicity is in its reach toward the ineffable. Be it grand or slender, burrowing, blasting, or refusing to sanctify; whether it laughs out loud or is a cry without an alphabet, the choice word, the chosen silence, unmolested language surges toward knowledge, not its destruction. But who does not know of literature banned because it is interrogative; discredited because it is critical; erased because alternate? And how many are outraged by the thought of a self-ravaged tongue?
„It is easily the most empty cliché, the most useless word, and at the same time the most powerful human emotion — because hatred is involved in it, too.“
— Toni Morrison
Context: It is easily the most empty cliché, the most useless word, and at the same time the most powerful human emotion — because hatred is involved in it, too. I thought if I removed the word from nearly every other place in the manuscript, it could become an earned word. If I could give the word, in my very modest way, its girth and its meaning and its terrible price and its clarity at the moment when that is all there is time for, then the title does work for me.
On the title of her book Love (2003), in O, The Oprah Magazine (November 2003) http://www.oprah.com/omagazine/200311/omag_200311_toni_b.jhtml
