Бернар Фонтенель цитаты

„Красота ума вызывает удивление, красота души — уважение.“

„Большое препятствие для счастья — это ожидание слишком большого счастья.“

„Женщины не против того, чтоб их нежно любили, но они хотят, чтоб их забавляли, и кто делает одно без другого, тот ничего не делает; женщины предпочитают даже, чтоб их забавляли не любя, чем любили не забавляя.“

„Знание, которое более всего необходимо для человеческой жизни, — это познание самого себя.“

„Человек редко может заставить любить себя, но заставить уважать себя может всегда.“

„Все люди ошибаются, но великие люди сознаются в ошибках.“

Бернар Фонтенель цитаты

„Общепринятые мнения могут служить руководством для здравых мыслей лишь в том случае, если принимать их в обратном смысле.“

„История мыслей человечества, конечно любопытная с точки зрения своего бесконечного многообразия, иногда также имеет образовательное значение“

„Нет ничего печальнее жизни женщин, которые умели быть только красивыми.“

„Новая идея — это клин, который входит только толстым концом.“

“We can never add more truth to what is true already, nor make that true which is false.”

Бернар Фонтенель: Цитаты на английском языке

“It was to little purpose to excuse the matter, by saying, that the badness of the Verses was a kind of Testimony that they were made by a God, who nobly scorn'd to be tyed up to rules and to be confined to the Beauty of a Style.”

p, 125
The History of Oracles, and the Cheats of the Pagan Priests (1688)

“Poetry had a much more serious beginning than is usually imagin'd, and”

The History of Oracles, and the Cheats of the Pagan Priests (1688)
Контексте: It was to little purpose to excuse the matter, by saying, that the badness of the Verses was a kind of Testimony that they were made by a God, who nobly scorn'd to be tyed up to rules and to be confined to the Beauty of a Style. For this made no impression upon the Philosophers; who, to turn this answer into ridicule, compared it to the Story of a Painter, who being hired to draw the Picture of a Horse tumbling on his Back upon the ground, drew one running full speed: and when he was told, that this was not such a Picture as was bespoke, he turned it upside down, and then ask'd if the Horse did not tumble upon his back now. Thus these Philosophers jeered such Persons, who by a way of arguing that would serve both ways, could equally prove that the Verses were made by a God, whether they were good or bad.<!--pp. 219-220

“It is very strange indeed that Poetry should be elder Brother to Prose… but it is very probable… precepts… were shap'd into measured lines, that they might be the more easily remembred”

The History of Oracles, and the Cheats of the Pagan Priests (1688)
Контексте: But why then did the Ancient Priestesses always answer in Verse?... To this Plutarch replies... That even the Ancient Priestesses did now and then speak in Prose. And besides this, in Old times all People were born Poets.... [T]hey had no sooner drank a little freely, but they made Verses; they had no sooner cast their eyes on a Handsom Woman, but they were all Poesy, and their very common discourse fell naturally into Feet and Rhime: So that their Feasts and their Courtships were the most delectable things in the World. But now this Poetick Genius has deserted Mankind: and tho' our passions be as ardent... yet Love at present creeps in humble prose.... Plutarch gives us another reason... that the Ancients wrote always in Verse, whether they treated of Religion, Morality, Natural Philosophy or Astrology. Orpheus and Hesiod, whom every body acknowledges for Poets, were Philosophers also: and Parmenides, Xenophanes, Empedocles, Eudoxus, and Thales... [the] Philosophers, were Poets too. It is very strange indeed that Poetry should be elder Brother to Prose... but it is very probable... precepts... were shap'd into measured lines, that they might be the more easily remembred: and therefore all their Laws and their rules of Morality were in Verse. By this we may see that Poetry had a much more serious beginning than is usually imagin'd, and that the Muses have of late days mightily deviated from their original Gravity.<!--pp. 207-209

“The Epicureans especially made sport with the paltry Poetry that came from Delphos.”

“Men could not be contented to take the Oracle just as it came piping hot from the Mouth of their God. But perhaps, when they had come a great way for it, they thought it would look silly to carry home an Oracle in Prose.”

The History of Oracles, and the Cheats of the Pagan Priests (1688)
Контексте: [A]bout the time of Alexander the Great, a little before Pyrrhus's days, there appear'd in Greece certain great Sects of Philosophers, such as the Peripateticks and Epicureans, who made a mock of Oracles. The Epicureans especially made sport with the paltry Poetry that came from Delphos. For the Priests hammered out their Verses as well as they could, and they often times committed faults against the common Rules of Prosodia. Now those Fleering Philosophers were mightily concerned that Apollo, the very God of Poetry, should come so far behind Homer, who was but a meer mortal, and was beholding to the same Apollo for his inspirations.<!--p. 220

“The calculus is to mathematics no more than what experiment is to physics, and all the truths produced solely by the calculus can be treated as truths of experiment. The sciences must proceed to first causes, above all mathematics where one cannot assume, as in physics, principles that are unknown to us. For there is in mathematics, so to speak, only what we have placed there… If, however, mathematics always has some essential obscurity that one cannot dissipate, it will lie, uniquely, I think, in the direction of the infinite; it is in that direction that mathematics touches on physics, on the innermost nature of bodies about which we know little.”

The History of Oracles, and the Cheats of the Pagan Priests (1688)
Контексте: So that at length the Priests of Delphos being quite baffled with the railleries of those learned Wits, renounced all Verses, at least as to the speaking them from the Tripos; for there were still some Poets maintain'd in the Temple, who at leisure turned into Verse, what the Divine fury had inspired the Pythian Priestess withal in Prose. It was very pretty, that Men could not be contented to take the Oracle just as it came piping hot from the Mouth of their God. But perhaps, when they had come a great way for it, they thought it would look silly to carry home an Oracle in Prose.<!--pp. 221-222

“It is more reasonable to remove error from truth, than to venerate error because it is mix'd with truth.”

Elements de la géométrie de l'infini (1727) as quoted by Amir R. Alexander, Geometrical Landscapes: The Voyages of Discovery and the Transformation of Mathematical Practice (2002) citing Michael S. Mahoney, "Infinitesimals and Transcendent Relations: The Mathematics of Motion in the Late Seventeenth Century" in Reappraisals of the Scientific Revolution, ed. David C. Lindberg, Robert S. Westman (1990)

“The geometrical spirit is not so tied to geometry that it cannot be detached from it and transported to other branches of knowledge. A work of morals or politics or criticism, perhaps even of eloquence, would be better (other things being equal) if it were done in the style of a geometer. The order, clarity, precision and exactitude which have been apparent in good books for some time might well have their source in this geometric spirit. …Sometimes one great man gives the tone to a whole century; [Descartes], to whom one might legitimately be accorded the glory of having established a new art of reasoning, was an excellent geometer.”

p, 125
The History of Oracles, and the Cheats of the Pagan Priests (1688)

“Now, the Priests who belonged to the Temples, scorn'd to use the same Customs in common with these Gypsies; for they thought themselves to be a nobler and graver sort of Fortune-tellers; which makes a mighty difference, I'll assure you, in this great affair.”

"The Utility of Mathematics," i.e. "Préface sur l'utitlité des mathématiques et de la physique et sur les travaux de le Académie des Sciences," Œuvres de Monsieur de Fontenelle (1753) Vol. 6, pp.37-50, as quoted by Herbert Butterfield, The Origins of Modern Science 1300-1800 (1949).

“Men are not willing to suffer the decision of things to be too easie, and therefore they mingle their own prejudices with truths, and so create greater perplexities than are Naturally found therein; and those scruples, which our selves frame, give us the most pain to untangle.”

p, 125
The History of Oracles, and the Cheats of the Pagan Priests (1688)

“Behold a universe so immense that I am lost in it. I no longer know where I am. I am just nothing at all. Our world is terrifying in its insignificance.”

p, 125
The History of Oracles, and the Cheats of the Pagan Priests (1688)

“At the time the book of Marquis de l'Hôpital had appeared, and almost all mathematicians began to turn to the new geometry of the infinite [that is, the new infinitesimal calculus], until then little known. The surprising universality of the methods, the elegant brevity of the proofs, the neatness and speed of the most difficult solutions, a singular and unexpected novelty, all attracted the mind and there was in the mathematical world a well marked revolution [une révolution bien marquée.”

Conversations with a Lady on the Plurality of Worlds or Etretiens sur la Pluralité des Mondes (1686) as quoted by Mark Brake, Alien Life Imagined: Communicating the Science and Culture of Astrobiology (2012)