Кирхнер, Эрнст Людвиг цитаты

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Кирхнер, Эрнст Людвиг

Дата рождения: 6. Май 1880
Дата смерти: 15. Июнь 1938
Другие имена:ارنست لودویگ کیرشنر,अर्नस्ट लुडविग किर्चनर, 恩斯特·路德維希·克爾希納,Ернст Лудвиг Кирхнер,Ернст Лудвинг Кирхнер

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Эрнст Людвиг Кирхнер — немецкий художник, график и скульптор, представитель экспрессионизма.

Цитаты Кирхнер, Эрнст Людвиг

„The heaviest burden of all is the presence of the war and the increasing superficiality. It gives me incessantly the impression of a bloody carnival... I am now like the whores, I once painted [in his Berlin-time]: the merest brushstroke now, gone tomorrow. Nonetheless I am still trying to put my thoughts in order and, from all the confusion, create an image of time, which is my task, after all.“

— Ernst Ludwig Kirchner
in a letter from the sanatorium in Köningstein, Taunus, to Gustav Schiefler, 12 November 1916; as quoted in War, art and crisis: Ernst Ludwig Kirchner, 1914 – 1918, National Gallery of Art, Washington D.C. 2003, p. 28 in the Summer of 1915 Kirchner volunteered the German army, but soon suffered a breakdown and was discharged

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„I begin with movement... I believe that all human visual experiences are born from movement..“

— Ernst Ludwig Kirchner
An unpublished manuscript 'Die Arbeit E. L. Kirchners' by E. L. Kirchner 1925–1926; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 39

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„I found it very difficult to suddenly depart [from Berlin] since this year I had risen completely in the landscape and life and hardly needed awareness to access this place.“

— Ernst Ludwig Kirchner
(original German version: 'Es fiel mir schwer, so plötzlich abzureisen, da ich dies Jahr vollständig in der Landschaft und dem Leben da oben aufging und nur fast ohne Bewusstsein zuzugreifen brauchte.') as quoted in: Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 41 (transl. Claire Albiez ) As Kirchner had been busying himself with nature images since the Summer of 1913, the outbreak of World War 1. brought him back to reality; as he describes here

„I see possibilities for a whole new way of painting, in which planes are used more freely. Weaving and embroidery make this possible.“

— Ernst Ludwig Kirchner
variant of Stedelijk Museum Amsterdam in [https://www.stedelijk.nl/en/collection/8144-ernst-ludwig-kirchner-familie 'Family – Ernst Ludwig Kirchner']

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„Believing in development, in a new generation of those who create and those who enjoy, we call together the youth of today. And as a youth which bears the future, we aim to create space to live and work, as opposition to the well-established, older powers. Everyone who reproduces, directly and without illusion, whatever he senses the urge to create, belongs to us.“

— Ernst Ludwig Kirchner
from the group manifesto of Die Brücke, written by Kirchner in Dresden, 1906; as quoted in 'The Artists' Association 'Brücke' – Chronology'[http://www.bruecke-museum.de/chronology.htm], Brücke Museum. Retrieved 29 September 2016; from Wikipedia: Kirchner

„to study the nude, the foundation of all pictorial art, in total freedom and naturalness. From.... this basis there emerged the feeling, shared by all, of taking creative stimulus from life itself and submitting to the decisive experience.“

— Ernst Ludwig Kirchner
Kirchner, in 'Chronik KG Brücke', 1913; a quoted by Wolf-Dieter Dube, Der Expressionismus in Wort und Bild (Genf and Stuttgart: Skira, Klett-Cotta, 1983), p. 34; as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 68

„I already realized [that time] that only a new study of nature and a new attitude towards life would bring the much-needed renewal of German art.“

— Ernst Ludwig Kirchner
In: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 26 (translation: [https://www.researchgate.net/publication/272168564 Claire Louise Albiez]) looking back to his early art-student years in Munich [c. 1903/4], when he was standing before the artdeco paintings of Leo Putz and Fritz Erler

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