Пехштейн, Макс цитаты

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Пехштейн, Макс

Дата рождения: 31. Декабрь 1881
Дата смерти: 29. Июнь 1955

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Макс Пехштейн — немецкий художник, один из лидеров немецкого экспрессионизма.

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Цитаты Пехштейн, Макс

„It was and still is fundamental: to begin the work with the same tools with which it will be ended, without making a preliminary drawing. on the wood, stone, or metal. Sketches and drawings done in advance clarify the intention, and with it ready in the head, the requisite tool realizes the idea.“

—  Max Pechstein
Buchheim, Künstlergemeinschaft Brücke, p. 304; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 54

„.. the unrelenting Berlin forced each one of us to struggle through on the most individual paths, so that our communal living [of 'Brücke', in 1913] fell apart. In addition, the knowledge of the individual members had developed so far that the individual form differed, although the overall goal of the group remained the same.“

—  Max Pechstein
a later quote of Pechstein; as quoted in Brücke und Berlin: 100 Jahre Expressionismus, ed. Anita Beloubek-Hammer; Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 266 (transl. Claire Albiez) about the cause of the break-up of Die Brücke group in 1913: the harsh city-life of Berlin. Pechstein himself already was removed from the Brücke group in 1912 (one year before the definite break) because he went against the self-imposed rule of die Brücke to only exhibit together - when he decided to show also his art at the 'Berliner Secession'.

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„In 1907 I was most strongly influenced by Giotto during my first Italian trip, as well as by Etruscan sculpture and the early Etruscan landscape painting in the Vatican library in Rome.“

—  Max Pechstein
In his letter in 1920, to ; as quoted in Georg Biermann - Max Pechstein, Leipzig 1920, p. 14 Pechstein answers Biermann's question: 'which 'primitives' had influenced him in his early painting style'

„We [the artists of Die Brücke ] were overjoyed to discover our complete unison in the urge for liberation, for an art surging forward, unrestricted by convention.“

—  Max Pechstein
from a note of Pechstein; as quoted in Expressionism, a German Intuition, 1905-1920, [exhibition-catalogue 1980-81]; Paul Vogt, Horts Keller, Martin Urban, Wolf-Dieter Dube, and Eberhard Roters; Solomon R. Guggenheim Foundation, 1980, p. 5

„Now I drew as wildly during my tramps [during his walks through the Saxonian countryside] as I has fought before. [in his early youth]“

—  Max Pechstein
As quoted in German Expressionist Painting, Peter Selz, University of California Press, 1974, p. 90

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„We desire to achieve to the socialist republic not only the recovery of the conditions of art, but also the beginning of a unified artistic area for our time.“

—  Max Pechstein
As quoted in German Expressionist Painting, Peter Selz, University of California Press, 1974, p. 313 Pechstein and others initiated in Nov. 1918 in Berlin the Novembergruppe, a socialist artist-group, competing then with Die Brücke

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„Contented sleep releases the limbs. We await full moon. Await the dance!“

—  Max Pechstein
4 short quotes of Max Pechstein, 1918, in Aus dem Palau-Tagebuch, 'Das Kunstblatt' 2, no. 6, p. 179; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 43

„What a variety of shapes exists in the lithograph when one prepares the stone for printing, etches it, and prints oneself. Above all, one must do the printing oneself!“

—  Max Pechstein
quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 40-41

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