Пётр Демьянович Успенский цитаты

Пётр Демьянович Успенский фото
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Пётр Демьянович Успенский

Дата рождения: 4. Март 1878
Дата смерти: 2. Октябрь 1947

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Пётр Демья́нович Успе́нский — русский оккультист, философ, теософ, таролог, журналист и писатель. Математик по образованию. Сподвижник Георгия Гурджиева. Проявлял интерес к метафизическим идеям четвёртого измерения, применяя логико-аналитический подход к изучению мистицизма. В августе 1921 году перебрался в Великобританию, где и прожил до своей смерти в 1947 году.

Подобные авторы

Георгий Иванович Челпанов фото
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 Аристотель фото
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Дмитрий Сергеевич Лихачёв фото
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Олдос Хаксли фото
Олдос Хаксли51
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Цитаты Пётр Демьянович Успенский

„When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter.“

—  P. D. Ouspensky
Context: When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter. its inner sanctum. And there I beheld a Woman with a crown of gold and a purple mantle. She held a sword in one hand and scales in the other. I trembled with awe at her appearance, which was deep and mysterious, and drew me like an abyss. "You see Truth," said the voice. "On these scales everything is weighed. This sword is always raised to guard justice, and nothing can escape it." "But why do you avert your eyes from the scales and the sword? They will remove the last illusions. How could you live on earth without these illusions? "You wished to see Truth and now you behold it! But remember what happens to the mortal who beholds a Goddess!" Card XI : Justice http://www.sacred-texts.com/tarot/sot/sot22.htm

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„The number of these laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm.“

—  P. D. Ouspensky
Context: Existing criminology is insufficient to isolate barbarism. It is insufficient because the idea of "crime" in existing criminology is artificial, for what is called crime is really an infringement of "existing laws", whereas "laws" are very often a manifestation of barbarism and violence. Such are the prohibiting laws of different kinds which abound in modern life. The number of these laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm. On the other hand, unquestionable crimes escape the field of vision of criminology, either because they have not recognized the form of crime or because they surpass a certain scale. In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity. This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture. p. 37-38; "Consequently what is often regarded as "political" activity is in fact a criminal activity"' has also been translated as "Consequently, the biggest crimes actually escape being called crimes" in a 1984 edition.

„And I saw another man.
Tired and lame he dragged himself along the dusty road, across the deserted plain under the scorching rays of the sun.“

—  P. D. Ouspensky
Context: And I saw another man. Tired and lame he dragged himself along the dusty road, across the deserted plain under the scorching rays of the sun. He glanced sidelong with foolish, staring eyes, a half smile, half leer on his face; he knew not where he went, but was absorbed in his chimerical dreams which ran constantly in the same circle. His fool's cap was put on wrong side front, his garments were torn in the back; a wild lynx with glowing eyes sprang upon him from behind a rock and buried her teeth in his flesh. He stumbled, nearly fell, but continued to drag himself along, all the time holding on his shoulder a bag containing useless things, which he, in his stupidity, carried wherever he went. Before him a crevice crossed the road and a deep precipice awaited the foolish wanderer. Then a huge crocodile with open mouth crawled out of the precipice. And I heard the voice say:-- "Look! This is the same man." I felt my head whirl. Card 0 : The Fool http://www.sacred-texts.com/tarot/sot/sot03.htm

„And then I saw a man in terrible suffering, hung by one leg, head downward, to a high tree.“

—  P. D. Ouspensky
Context: And then I saw a man in terrible suffering, hung by one leg, head downward, to a high tree. And I heard the voice: — "Look! This is a man who saw Truth. Suffering awaits the man on earth, who finds the way to eternity and to the understanding of the Endless. "He is still a man, but he already knows much of what is inaccessible even to Gods. And the incommensurableness of the small and the great in his soul constitutes his pain and his golgotha. "In his own soul appears the gallows on which he hangs in suffering, feeling that he is indeed inverted. "He chose this way himself. "For this he went over a long road from trial to trial, from initiation to initiation, through failures and falls. "And now he has found Truth and knows himself. "He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him; that he dwells with his mate in paradise under the shadow of a blessing genius; that he is chained to a black cube under the shadow of deceit; that he stands as a victor for a moment in an illusionary chariot drawn by sphinxes; and that with a lantern in bright sunshine, he seeks for Truth in a desert. "Now he has found Her." Card XII : The Hanged Man http://www.sacred-texts.com/tarot/sot/sot23.htm

„This is the Hall of Wisdom. No one can reveal it, no one can hide it. Like a flower it must grow and bloom in thy soul. If thou wouldst plant the seed of this flower in thy soul — learn to discern the real from the false. Listen only to the Voice that is soundless... Look only on that which is invisible, and remember that in thee thyself, is the Temple and the gate to it, and the mystery, and the initiation.“

—  P. D. Ouspensky
Context: Then the woman turned her face to me and looked into my eyes without speaking. And through me passed a thrill, mysterious and penetrating like a golden wave; tones vibrated in my brain, a flame was in my heart, and I understood that she spoke to me, saying without words: "This is the Hall of Wisdom. No one can reveal it, no one can hide it. Like a flower it must grow and bloom in thy soul. If thou wouldst plant the seed of this flower in thy soul — learn to discern the real from the false. Listen only to the Voice that is soundless... Look only on that which is invisible, and remember that in thee thyself, is the Temple and the gate to it, and the mystery, and the initiation." Card II : The High Priestess

„The fool always carries them, although he has long since forgotten what they mean. Nevertheless they belong to him, even though he does not know their use.“

—  P. D. Ouspensky
Context: "What has he in the bag?" I inquired, not knowing why I asked. And after a long silence the voice replied: "The four magic symbols, the sceptre, the cup, the sword and the pentacle. The fool always carries them, although he has long since forgotten what they mean. Nevertheless they belong to him, even though he does not know their use. The symbols have not lost their power, they retain it in themselves. Card 0 : The Fool

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„There exist moments in life, separated by long intervals of time, but linked together by their inner content and by a certain singular sensation peculiar to them.“

—  P. D. Ouspensky
Context: There exist moments in life, separated by long intervals of time, but linked together by their inner content and by a certain singular sensation peculiar to them. Several such moments always recur to my mind together, and I feel then that it is these that have determined the chief trend of my life.

„In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.“

—  P. D. Ouspensky
Context: Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world. In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions. Tertium Organum (1922)

„He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him“

—  P. D. Ouspensky
Context: And then I saw a man in terrible suffering, hung by one leg, head downward, to a high tree. And I heard the voice: — "Look! This is a man who saw Truth. Suffering awaits the man on earth, who finds the way to eternity and to the understanding of the Endless. "He is still a man, but he already knows much of what is inaccessible even to Gods. And the incommensurableness of the small and the great in his soul constitutes his pain and his golgotha. "In his own soul appears the gallows on which he hangs in suffering, feeling that he is indeed inverted. "He chose this way himself. "For this he went over a long road from trial to trial, from initiation to initiation, through failures and falls. "And now he has found Truth and knows himself. "He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him; that he dwells with his mate in paradise under the shadow of a blessing genius; that he is chained to a black cube under the shadow of deceit; that he stands as a victor for a moment in an illusionary chariot drawn by sphinxes; and that with a lantern in bright sunshine, he seeks for Truth in a desert. "Now he has found Her." Card XII : The Hanged Man http://www.sacred-texts.com/tarot/sot/sot23.htm

„With his hands he unites heaven and earth, and the four elements that form the world are controlled by him.“

—  P. D. Ouspensky
Context: With his hands he unites heaven and earth, and the four elements that form the world are controlled by him. The four symbols before him are the four letters of the name of God, the signs of the four elements, fire, water, air, earth." I trembled before the depth of the mysteries A touched... The words I heard seemed to be littered by the Great Magician himself, and it was as though he spoke in me. I was in deep trepidation and at moment I felt there was nothing, before me except the blue sky; but within me a window opened through which I could see unearthly things. and hear unearthly words. Card I : The Magician

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„Knowledge must start from some foundation, something must be recognized as known; otherwise we shall be obliged always to define one unknown by means of another.“

—  P. D. Ouspensky
Context: The most difficult thing is to know what we do know, and what we do not know. Therefore, desiring to know anything, we shall before all else determine WHAT we accept as given, and WHAT as demanding definition and proof; that is, determine WHAT we know already, and WHAT we wish to know. In relation to the knowledge of the world and of ourselves, the conditions would be ideal could we venture to accept nothing as given, and count all as demanding definition and proof. In other words, it would be best to assume that we know nothing, and make this our point of departure. But unfortunately such conditions are impossible to create. Knowledge must start from some foundation, something must be recognized as known; otherwise we shall be obliged always to define one unknown by means of another. Ch. I

„The absurdity of both these propositions shows that they cannot refer to our world.“

—  P. D. Ouspensky
Context: The logical formula: A is both A and Not-A, corresponds to the mathematical formula: A magnitude can be greater or less than itself. The absurdity of both these propositions shows that they cannot refer to our world. Of course absurdity, as such, is indeed not an index of the attributes of noumena, but the attributes of noumena will certainly be expressed in what are absurdities to us. To hope to find in the world of causes anything logical from our standpoint is just as useless as to think that the world of things can exist in accordance with the laws of a world of shadows or stereometry according to the laws of planimetry. To master the fundamental principles of higher logic means to master the fundamentals of the understanding of a space of higher dimensions, or of the world of the wondrous. In order to approach to a clear understanding of the relations of the multi-dimensional world, we must free ourselves from all the "idols" of our world, as Bacon calls them, i. e., from all obstacles to correct receptivity and reasoning. Then we shall have taken the most important step toward an inner affinity with the world of the wondrous. Ch. XXI

„The strangest and most fantastic fact about negative emotions is that people actually worship them.“

—  P. D. Ouspensky
Context: People who think they can control their negative emotions and manifest them when they want to, simply deceive themselves. Negative emotions depend on identification; if identification is destroyed in some particular case, they disappear. The strangest and most fantastic fact about negative emotions is that people actually worship them. I think that, for an ordinary mechanical man, the most difficult thing to realise is that his own and other people's negative emotions, have no value whatever and do not contain anything noble, anything beautiful or anything strong. In reality negative emotions contain nothing but weakness and very often the beginning of hysteria, insanity or crime. The only good thing about them is that, being quite useless and artificially created by imagination and identification, they can be destroyed without any loss. And this is the only chance of escape that man has. Fourth Lecture, p. 70.

„Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones.“

—  P. D. Ouspensky
Context: Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world. In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions. Tertium Organum (1922)

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