Диана Гэблдон цитаты (158 цитат, страница 6) | Цитаты известных личностей

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“I am a sassenach, after all,” I said, seeing it. He touched my face briefly with a rueful smile. “Aye, mo duinne. But you’re my sassenach.”

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Diana Gabaldon книга Dragonfly in Amber

Источник: Dragonfly in Amber

“You are beautiful,” he whispered to me. “If you say so.” “Do ye not believe me? Have I ever lied to you?” “That’s not what I mean. I mean—if you say it, then it’s true. You make it true.”

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Diana Gabaldon книга The Fiery Cross

Источник: The Fiery Cross

“Jamie, I had found out by accident a few days previously, had never mastered the art of winking one eye. Instead, he blinked solemnly, like a large red owl.”

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Diana Gabaldon книга Outlander

Вариант: That's not precisely what I had in mind."
Jamie, I had found out by accident a few days previously, had never mastered the art of winking one eye. Instead, he blinked solemnly, like a large red owl.
Источник: Outlander

“I can stand a lot! But just because I can, does that mean I must? Do I have to bear everyone’s weakness? Can I not have my own?”

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Diana Gabaldon книга Dragonfly in Amber

Источник: Dragonfly in Amber

“When I decided to write a novel, I had two full time jobs and three children under the age of six, so I don’t want anyone telling me they don’t have time to write a book, but I learned to work in the middle of the night, and I still do that…”

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Diana Gabaldon

On balancing novel writing with her personal life in “Diana Gabaldon on Her ‘Outlander’ Writing Process & Knowing Sam Heughan Was Jamie” https://collider.com/diana-gabaldon-outlander-interview/ in Collider (2018 Aug 2)

“I was a university professor and all of my degrees were in the biological sciences, so I did know my way around a library. That’s why I decided on historical fiction. It seems easier to look things up than to make them up. If it turned out I had no imagination, I could steal things from the historical record!”

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Diana Gabaldon

On how library research helps her write accurately in “Caught Between Two Worlds – Diana Gabaldon Interview” https://www.scotsmagazine.com/articles/diana-gabaldon-outlander-inspiration/ in The Scots Magazine (2018 Mar 2)

“First, a good sex scene is about the exchange of emotions, not body fluids. In other words, what’s going on physically is not really important. It’s what’s going on emotionally that’s important. You use the physical attributes or setting, only as a means of anchoring the reader in the moment, but it’s about what’s going on between these two people. And that leads to the second principle, which is that a good sex scene can only happen between two unique and specific people…”

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Diana Gabaldon

On how she conjures an erotic scene in her writing in “Outlander Author Diana Gabaldon on Her Two Rules for Writing a Good Sex Scene” https://www.townandcountrymag.com/leisure/arts-and-culture/a24146013/outlander-diana-gabaldon-interview-great-american-read in Town and Country (2018 Oct 24)

“I was just looking for a time and place in which to set a historical novel because I wanted to practise writing one. I wasn’t going to show it to anyone, let alone get it published, so it didn’t really matter where I set it. I saw this young man in a kilt and thought that was quite fetching, so why not Scotland in the 18th century?”

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Diana Gabaldon

On what inspired her to write a historical novel in “Caught Between Two Worlds – Diana Gabaldon Interview” https://www.scotsmagazine.com/articles/diana-gabaldon-outlander-inspiration/ in The Scots Magazine (2018 Mar 2)