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Портрет художника в юности

Улисс

Улисс

В письме Норе 10 сентября 1904 года.

об Улиссе

Улисс

Улисс

воздух
Источник: стихи

В письме Норе 29 августа 1904 года.

Из статьи «Потворство толпе» (The Day of the Rabblement)

To Jacques Mercanton, on the structure of Ulysses, as quoted in James Joyce: The Critical Heritage (1997) by Robert H. Deming, p. 22

Stephen Hero (1944)

"Ireland, Island of Saints and Sages," lecture, Università Popolare, Trieste (27 April 1907), printed in James Joyce: Occasional, Critical and Political Writing (2002) edited by Kevin Barry [Oxford University Press, 2002, <small> ISBN 0-192-83353-7</small>], p. 125

Finnegans Wake (1939)

4.14-15
Finnegans Wake (1939)

Alone, p. 18
Pomes Penyeach (1927)

Finnegans Wake (1939)

Finnegans Wake (1939)

From the poem I Hear an Army http://www.bartleby.com/103/128.html

Exiles (1915), Act II http://www.robotwisdom.com/jaj/exiles2.html

Watching The Needleboats At San Sabba, p. 10
Pomes Penyeach (1927)

Tutto E Sciolto, p. 13
Pomes Penyeach (1927)

"James Clarence Mangan" (1902)

Simples, p. 15
Pomes Penyeach (1927)

115.36
Finnegans Wake (1939)

410.20-23
Finnegans Wake (1939)

Page 113
Finnegans Wake (1939)

James Joyce, “Daniel Defoe,” translated from Italian manuscript and edited by Joseph Prescott, Buffalo Studies 1 (1964): 24-25

Referring to Finnegans Wake in a letter to Harriet Shaw Weaver (24 November 1926)

Источник: Finnegans Wake (1939), p. 100

Said in conversation with Frederic Prokosch and quoted in Prokosch's Voices: A Memoir (1983), "At Sylvia’s." Joyce was replying to Prokosch's statement that Molly Bloom’s monologue in Ulysses was written as a stream of consciousness. "Molly Bloom was a down-to-earth lady" said Joyce. "She would never have indulged in anything so refined as a stream of consciousness."

"A Suave Philosophy," in Daily Express, Dublin (6 February 1903), printed in James Joyce: Occasional, Critical and Political Writing (2002) edited by Kevin Barry [Oxford University Press, <small> ISBN 0-192-83353-7</small>], p. 67

Stephen Hero (1944)
Контексте: Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.

20.10-18
Finnegans Wake (1939)

On The Beach At Fontana, p. 14
Pomes Penyeach (1927)

286.25-27
Finnegans Wake (1939)

Nightpiece, p. 17
Pomes Penyeach (1927)

"James Clarence Mangan" (1902)

Tilly, p. 9
Pomes Penyeach (1927)