Эжен Делакруа знаменитые цитаты
Эжен Делакруа цитаты
„Живопись — неболтливое искусство, и в этом, по-моему, её немалое достоинство.“
Вариант: Живопись — не болтливое искусство, и в этом, по-моему, её немалое достоинство.
Вариант: Когда открываешь в себе какую-нибудь слабость, то, вместо того чтобы таить её, брось лицедейство и увертки, исправляйся.
Эжен Делакруа: Цитаты на английском языке
19 January 1847 (p. 55)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Quote, 29 April 1824 (p. 35)
1815 - 1830, Delacroix' 'Journal' (1822 – 1824)
23 April 1849 (p. 97)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Quote from his letter to Madame de Forget, Dieppe, 13 September 1852; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
Delacroix's quote refers to his stay at the coast at Dieppe
1831 - 1863
21 September 1854 (p. 256)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
quote on Hamlet, in a letter to Victor Hugo, 1828; as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 67
1815 - 1830
13 January 1857 (p. 337)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
13 January 1857 (p. 334)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Quote from a letter to Léon Peisse, 15 July 1949; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
this quote refers to Delacroix's refusal to use the line as boundary of the form in his painting art, as a too sharp dividing force in the picture - in contrast to the famous classical painter in Paris then, Ingres
1831 - 1863
Quote from Delacroix' letter to Théophile Silvestre, Paris, 31 December 1858; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 352
1831 - 1863
“Curiously enough, the Sublime is generally achieved through want of proportion.”
25 January 1857 (p. 345)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Quote in Delacroix's Journal of 3 August, 1855; as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 236
1831 - 1863
13 January 1857 (p. 338)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
quote in 1854, on the Italian Renaissance artist [[w:Michelangelo|Michelangelo, as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 235
1831 - 1863
16 January 1860 (p. 391)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Quote in Delacroix's Journal of 1850; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863
“Nature creates unity even in the parts of a whole.”
25 January 1857 (p. 346)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Quote from entry of Delacroix's Journal, 14 March, 1847; as cited in Selected writings on Art and Artists, transl. P. E. Charvet – Cambridge University Press, Archive, 1981, p. 150, note 44
This visit of Delacroix was the beginning of an important friendship
1831 - 1863
Quote in a letter to his friend J. B. Pierret, 18 September 1818, from the Forest of Boixe; as quoted in Eugene Delacroix – selected letters 1813 – 1863”, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 41
1815 - 1830
