Стиглиц, Альфред цитаты
Дата рождения: 1. Январь 1864
Дата смерти: 13. Июль 1946
Альфред Стиглиц — американский фотограф, галерист и меценат, один из крупнейших мастеров пикториализма, который внёс огромный вклад в утверждение фотографии как независимого искусства и повлиял на формирование его эстетики.
Цитаты Стиглиц, Альфред
Alfred Stieglitz, as quoted in The Real Thing: Imitation and Authenticity in American Culture, 1880-1940, M. Orvell (1989). p. 220
Вариант: There is a reality — so subtle that it becomes more real than reality. That's what I'm trying to get down in photography.
„I have always been a great believer in today. Most people live either in the past or in the future, so that they really never live at all. So many people are busy worrying about the future of art or society, they have no time to preserve what is. Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.“
Modern Art and America: Alfred Stieglitz and His New York Galleries, Sarah Greenough, Washington: National Gallery of Art. 2000, pp. 26–53; as quoted on Wikipedia
„AS A KID I WAS PROMISED an America - An America I believed in - and I insist on living - and dying - in that America, even I have to create it myself.“
in 'Alfred Stieglitz' Photo notes, August 1946, p. 65
From Adams to Stieglitz' (1990)
„Man: [looking at a Stieglitz's photo of 'Equivalents'] Is this a photograph of water?
Stieglitz: What difference does it make of what it is a photograph?
Man: But is it a photograph of water?
Stieglitz: I tell you it does not matter.
Man: Well, then, is it a picture of the sky?
Stieglitz: It happens to be a picture of the sky. But I cannot understand why that is of any importance.“
w:Dorothy Norman recorded a conversation between Stieglitz and a man, looking at one of his 'Equivalents' prints
Источник: 'Minor White, A Living Remembrance', Dorothy Norman, in 'Aperture', 1984, p. 9.
„Photography is not an art. Neither is painting, nor sculpture, literature or music. They are only different media for the individual to express his aesthetic feelings... You do not have to be a painter or a sculptor to be an artist. You may be a shoemaker. You may be creative as such. And, if so, you are a greater artist than the majority of the painters whose work is shown in the art galleries of today.“
'Is Photography a Failure?', Alfred Stieglitz, 'Sun: 5.', March 14, 1922; as quoted on Wikipedia
Alfred Stieglitz (1887), in the American Annual of Photography 1897.
„Atmosphere is the medium through which we see all things. In order, therefore, to see them in their true value on a photograph, as we do in Nature, atmosphere must be there. Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what atmosphere is to Nature, tone is to a picture.“
Источник: 'A Plea for Art Photography in America', Alfred Stieglitz, in 'Photographic Mosaics,' Vol 28, 1892: About Pictorialism.
From Adams to Stieglitz' (1990)
Источник: 'Alfred Stieglitz' Photo notes, August 1946, p. 65
„to show that [the success of my portray-] photographs was not due to subject matter – not to special trees or faces, or interiors, to special privileges – clouds were there for everyone... I wanted to photograph clouds to find out what I had learned in forty years about photography. Through clouds to put down my philosophy of life... My aim is increasingly to make my photographs look so much like photographs that unless one has eyes and sees, they won't be seen – and still everyone will never forget them having once looked at them.“
'How I came to Photograph Clouds', Alfred Stieglitz, in 'Amateur Photographer and Photography', (19 September 1923): 255.
about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922
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„I know exactly what I have photographed [in his series 'Equivalents', 1925 - 1934]. I know I have done something that has never been done... I also know that there is more of the really abstract in some 'representation' than in most of the dead representations of the so-called abstract so fashionable now.“
In a letter about his 'Equivalents' to w:Hart Crane; as quoted in Photography as High Art, Hilton Kramer, (1982-12-19)., in 'New York Times'. p. 1. Retrieved 2008-12-26; as quoted on Wikipedia.