Брайан Олдисс цитаты

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Почему я стал фантастом...

Почему я стал фантастом...

Из произведений

Почему я стал фантастом...

«Переводчик»
Из произведений

When childhood dies, its corpses are called adults and they enter society, one of the politer names of Hell. That is why we dread children, even if we love them. They show us the state of our decay.
1977
Источник: Manchester Guardian (31 December 1977)
Источник: Simpson’s Contemporary Quotations (1988) https://web.archive.org/web/20000709051930/http://www.bartleby.com/63/90/4790.html edited by James B. Simpson
Источник: Says Who?: A Guide To The Quotations Of The Century (1988) by Jonathon Green, p. 17 http://books.google.com/books?id=xUwOAQAAMAAJ&q=%22When+childhood+dies,+its+corpses+are+called+adults%22&dq=%22When+childhood+dies,+its+corpses+are+called+adults%22&hl=en&sa=X&ei=KZO4U_WwFJSlqAaquoKoCg&ved=0CK0BEOgBMBk
Источник: The Concise Columbia Dictionary of Quotations (1989), p. 45 http://books.google.com/books?id=bs0J36MpieIC&pg=PA45&dq=%22When+childhood+dies,+its+corpses+are+called+adults%22&hl=en&sa=X&ei=KZO4U_WwFJSlqAaquoKoCg&ved=0CEkQ6AEwBw#v=onepage&q=%22When%20childhood%20dies%2C%20its%20corpses%20are%20called%20adults%22&f=false

Most SF is about madness, or what is currently ruled to be madness; this is part of its attraction — it's always playing with how much the human mind can encompass.
1973
Источник: "In Conversation: Brian Aldiss & James Blish", Cypher (October 1973)
Источник: The Tale That Wags the God (1987) by James Blish

One of the objections I have against Campbell's Astounding was that there was too little love in it. It was a very loveless magazine. They never took enough account of the feeling that is always in SF.
1973

Outside (1955)

Outside (1955)

“Exactly.”
“Man on Bridge” p. 89
Short fiction, Who Can Replace a Man? (1965)

“Man on Bridge” p. 89
Short fiction, Who Can Replace a Man? (1965)

“Basis for Negotiations” p. 152
Short fiction, Who Can Replace a Man? (1965)

"In Conversation: Brian Aldiss & James Blish" in Cypher (October 1973)

“Man on Bridge” p. 88
Short fiction, Who Can Replace a Man? (1965)

Let's Be Frank (1957)

Locus interview (2000)

“Poor Little Warrior!” p. 78 (originally published in The Magazine of Fantasy & Science Fiction, April 1958)
Short fiction, Who Can Replace a Man? (1965)

“Man in His Time” p. 209
Short fiction, Who Can Replace a Man? (1965)

Let's Be Frank (1957)

“Basis for Negotiations” p. 122
Short fiction, Who Can Replace a Man? (1965)

Источник: Greybeard (1964), Chapter 4 (p. 121)

"The Deceptive Truth", The Dark Sun Rises (2002)

Источник: Greybeard (1964), Chapter 4 (p. 112)

“Old Hundredth” p. 162
Short fiction, Who Can Replace a Man? (1965)

The Twinkling of an Eye: My Life as an Englishman (1998) Unsourced variant: "Why had I become a writer in the first place? Because I wasn't fit for society; I didn't fit into the system."

"In Conversation: Brian Aldiss & James Blish" in Cypher (October 1973); republished in The Tale That Wags the God (1987) by James Blish

Let's Be Frank (1957)

“Basis for Negotiations” p. 139
Short fiction, Who Can Replace a Man? (1965)

Источник: Greybeard (1964), Chapter 4 “Washington” (p. 110)

“Man on Bridge” pp. 90-91
Short fiction, Who Can Replace a Man? (1965)

“Basis for Negotiations” p. 140
Short fiction, Who Can Replace a Man? (1965)

“Basis for Negotiations” p. 143
Short fiction, Who Can Replace a Man? (1965)

"Apéritif" in Bury My Heart at W.H. Smith's (1990)

Источник: Greybeard (1964), Chapter 4 (p. 115)

Источник: Greybeard (1964), Chapter 5 “The River: Oxford” (p. 147)

Источник: Greybeard (1964), Chapter 7 “The River: The End” (p. 190)