предисловие к роману, 1962
Источник: Introduction by Brian W. Aldiss (1962) // Olaf Stapledon, Last and First Men, Penguin Books, 1963.
Источник: Станислав Лем. Фантастика и футурология. Книга 2 (От фантастической философии к историософической фантастике. Борхес и Стэплдон // IX. Утопия и футурология). 2-е изд. (1972) / пер. Е. П. Вайсброта, В. Борисова, 2004.
Брайан Олдисс знаменитые цитаты
Почему я стал фантастом...
Из произведений
Почему я стал фантастом...
Брайан Олдисс цитаты
«Фантастика и футурология», книга 1 (Генерирующие структуры фантастики), 1970, 1972
перевод: С. Макарцев, В. Борисов, 2004
Станислав Лем
«Переводчик»
Из произведений
When childhood dies, its corpses are called adults and they enter society, one of the politer names of Hell. That is why we dread children, even if we love them. They show us the state of our decay.
1977
Источник: Manchester Guardian (31 December 1977)
Источник: Simpson’s Contemporary Quotations (1988) https://web.archive.org/web/20000709051930/http://www.bartleby.com/63/90/4790.html edited by James B. Simpson
Источник: Says Who?: A Guide To The Quotations Of The Century (1988) by Jonathon Green, p. 17 http://books.google.com/books?id=xUwOAQAAMAAJ&q=%22When+childhood+dies,+its+corpses+are+called+adults%22&dq=%22When+childhood+dies,+its+corpses+are+called+adults%22&hl=en&sa=X&ei=KZO4U_WwFJSlqAaquoKoCg&ved=0CK0BEOgBMBk
Источник: The Concise Columbia Dictionary of Quotations (1989), p. 45 http://books.google.com/books?id=bs0J36MpieIC&pg=PA45&dq=%22When+childhood+dies,+its+corpses+are+called+adults%22&hl=en&sa=X&ei=KZO4U_WwFJSlqAaquoKoCg&ved=0CEkQ6AEwBw#v=onepage&q=%22When%20childhood%20dies%2C%20its%20corpses%20are%20called%20adults%22&f=false
Most SF is about madness, or what is currently ruled to be madness; this is part of its attraction — it's always playing with how much the human mind can encompass.
1973
Источник: "In Conversation: Brian Aldiss & James Blish", Cypher (October 1973)
Источник: The Tale That Wags the God (1987) by James Blish
One of the objections I have against Campbell's Astounding was that there was too little love in it. It was a very loveless magazine. They never took enough account of the feeling that is always in SF.
1973
Брайан Олдисс: Цитаты на английском языке
“Insane? To disobey a law of the universe was impossible, not insane.”
“Man in His Time” p. 201 (originally published in Science Fantasy, April 1965)
Short fiction, Who Can Replace a Man? (1965)
As quoted in web article "The Brian Aldiss Connection" http://www.zone-sf.com/brianaldiss.html, The Zone
“Poor Little Warrior!” p. 79
Short fiction, Who Can Replace a Man? (1965)
Locus interview (2000)
“The shuffle only demonstrated people’s fatuous belief in a political cure for a human condition.”
Источник: Greybeard (1964), Chapter 6 “London” (p. 170)
Let's Be Frank (1957)
“A Kind of Artistry” p. 185
Short fiction, Who Can Replace a Man? (1965)
Let's Be Frank (1957)
Let's Be Frank (1957)
“To be a standard shape is not all in life. To know is also important.”
Источник: Hothouse (1962), Chapter 5
“Man on Bridge” p. 92
Short fiction, Who Can Replace a Man? (1965)
“Man on Bridge” p. 83 (originally published in New Writings in SF 1, 1964)
Short fiction, Who Can Replace a Man? (1965)
““Are you a religious man, Joe?”
Flitch pulled a face. “I leaves that sort of thing to women.””
Источник: Greybeard (1964), Chapter 5 (p. 149)
Science Fiction on the Titanic, in Brian Aldiss and Harry Harrison (eds.) The Year's Best SF 9 (1976), ISBN 0-8600-7894-9, p. 205
Science Fiction on the Titanic, in Brian Aldiss and Harry Harrison (eds.) The Year's Best SF 9 (1976), ISBN 0-8600-7894-9, p. 203
Science Fiction on the Titanic, in Brian Aldiss and Harry Harrison (eds.) The Year's Best SF 9 (1976), ISBN 0-8600-7894-9, p. 201
“The greatest human achievement is to fulfil one’s destiny.”
Originally published in New Worlds Science Fiction, August 1965; reprinted in Michael Moorcock (ed.) Best SF Stories from New Worlds 4, p. 83
Short fiction, The Source (1965)
“There's a way outside. We're — we've got to find out what we are.”
His voice rose to an hysterical pitch. He was shaking Calvin again. "We must find out what's wrong here. Either we are victims of some ghastly experiment — or we're all monsters!"
Outside (1955)