Маршалл Маклюэн цитаты страница 6

„Благодаря телевидению мир стал большой деревней, а изрядная часть передач возрождает деревенские сплетни.“

„Только мелкие секреты нужно прятать, большие хранит в тайне неверие толпы.“

„Реклама — величайшее искусство ХХ века.“

Вариант: Только мелкие секреты нужно прятать, большие хранит в тайне неверие толпы.

„Форма общества всегда определялась скорее природой средств человеческой коммуникации, нежели её содержанием.“

„Средство коммуникации и есть сообщение.“

„Рекламные объявления — это наскальные рисунки ХХ века.“

Маршалл Маклюэн цитаты

„Книгопечатание вывело из употребления латынь.“

„Boyoboy oboyoboy oboyoboyoboyoboyoboyoboy…“

„Я бы не увидел что-то, если бы не верил в это.“

1980s and later

“The stock market was created by the telegraph and the telephone, and its panics are engineered by carefully orchestrated stories in the press.”

Маршалл Маклюэн: Цитаты на английском языке

“Typography extended its character to the regulation and fixations of languages.”

Источник: 1960s, Counterblast (1969), p. 106

“The only cool PR is provided by one's enemies. They toil incessantly and for free.”

Вариант: Typography extended its character to the regulation and fixation of languages. (p. 229)
Источник: 1960s, The Gutenberg Galaxy (1962), p. 260

“I neither approve nor disapprove. I merely try to understand. Sexual freedom is as natural to newly tribalized youth as drugs.”

88
1970s, Culture Is Our Business (1970)

“Nobody can doubt that the entire range of applied science contributes to the very format of a newspaper. But the headline is a feature which began with the Napoleonic Wars. The headline is a primitive shout of rage, triumph, fear, or warning, and newspapers have thrived on wars ever since.”

1960s, Playboy Interview (1969)

“Man works when he is partially involved. When he is totally involved he is at play or leisure.”

Источник: 1950s, The Mechanical Bride (1951), p. 7

“Literacy affects the physiology as well as the psychic life of the African.”

1990s and beyond, "The Agenbite of Outwit" (1998)

“The divorce of poetry and music was first reflected by the printed page.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 38

“Until more than two centuries after printing nobody discovered how to maintain a single tone or attitude throughout a prose composition.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 227

“All media of communications are cliches serving to enlarge man's scope of action, his patterns of associations and awareness. These media create environments that numb our powers of attention by sheer pervasiveness.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 154

“The young are really the heirs to a generation of incompetence.”

1970s, From Cliché to Archetype (1970)

“Writing turned a spotlight on the high, dim Sierras of speech; writing was the visualization of acoustic space. It lit up the dark.”

1970s, Culture Is Our Business (1970)

“The percept takes priority of the concept.”

Источник: 1960s, Counterblast (1969), p. 14

“The sociologist permits himself to see only what is acceptable to his colleagues.”

Letter to Edward T. Hall, 1971, Letters of Marshall McLuhan, p. 397
1970s

“Bacon's Adam is a medieval mystic and Milton's a trade union organizer.”

Источник: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 370

“Technologies themselves, regardless of content, produce a hemispheric bias in the users.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 214

“The “natural magic” of the camera obscura anticipated Hollywood in turning the spectacle of the external world into a consumer commodity or package.”

Источник: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 71

“The interiorization of the technology of the phonetic alphabet translates man from the magical world of the ear to the neutral visual world.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 146

“The culture-heroes of preliteracy and postliteracy alike are robots.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 21

“Computers can do better than ever what needn’t be done at all. Making sense is still a human monopoly.”

Источник: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 79

“By involving all men in all men, by the electric extension of their own nervous systems, the new technology turns the figure of the primitive society into a universal ground that buries all previous figures.”

Источник: 1970s, Take Today : The Executive as Dropout (1972), p. 109

“The print-made split between head and heart is the trauma which affects Europe from Machiavelli till the present.”

Источник: 1970s, Take Today : The Executive as Dropout (1972), p. 25

“If a work of art is to explore new environments, it is not to be regarded as a blueprint but rather as a form of action-painting.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 193

“The sculptural qualities of the image dim down the purely personal identity.”

To Wilfred Watson, October 6 1965. Letters of Marshall McLuhan (1987), p. 325
1960s

“The twentieth century encounter between alphabetic and electronic forces of culture confers on the printed word a crucial role in staying the return to “the Africa within.””

Источник: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 369

“Rabelais offers a vision of the future of print culture as a consumer's paradise of applied knowledge.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 51

“The artists of our culture, 'the antennae of the race,' had tuned in to the new ground and begun exploring discontinuity and simultaneity.”

Источник: 1960s, The Gutenberg Galaxy (1962), p. 167

“By electricity we have not been driven out of our senses so much as our senses have been driven out of us.”

Источник: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 47

“The magic of the cave image lies in its being, not in its being seen. The symbolic does not refer. It is.”

Источник: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 375

“People don't actually read newspapers. They step into them every morning like a hot bath.”

Источник: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 350